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#Blackmagic ursa mini pro proFrom news gathering to film production, the Ursa Mini Pro can be configured to fill a variety of roles. #Blackmagic ursa mini pro plusOf course, Cinema lenses have some advantages - mostly, they make you look like a badass - but Blackmagic’s willingness to let you natively mount any old DSLR lens is a huge plus for the indie and student filmmaking crowds. I have a small collection of film-era Nikon glass I would have loved to test on the Ursa. That last one opens the Ursa up to a legacy of photographic lenses going back decades. In addition to the active Canon EF mount, you can go with PL (the cinema camera standard), B4 for broadcast lenses, or even a passive Nikon F mount. What’s more, the Ursa Mini Pro has swappable lens mounts. (In truth, that’s still quite affordable in the realm of cinema glass.) Sure, that’s a chunk of change, but it’s a far cry from the $8,000 required for the cinema versions of those lenses. #Blackmagic ursa mini pro manual(The Ursa’s autofocus capabilities, however, are not good - stick with manual focus.)įor this review, Sigma loaned me its 18-35mm and 50-100mm f/1.8 lenses, a pair of zooms that make a strong case for being the only lenses you need. Photographic lenses are much more affordable than their cinema counterparts, but often of no less optical quality. Quirky iris control aside, I love this about the Ursa. I was using standard photographic lenses in the Canon EF mount. One complaint? The iris dial is difficult to reach when the monitor is open, a design flaw that Blackmagic might have overlooked because cinematographers using actual cinema lenses will use the iris ring on the lens. ![]() The Ursa has plenty of physical buttons and toggle switches for accessing commonly-used functions like ISO, shutter angle/speed, and white balance. ![]() The interface is easy to learn if you haven’t used a Blackmagic camera before. Blackmagic made a point to unify its UI across camera models, so if you own a Pocket Cinema Camera, you’ll feel at home with the Ursa. While the viewfinder may not come standard, a touchscreen monitor does, and it’s the most approachable user interface you can get on a camera. ND filters reduce light and allow you to maintain a slower shutter speed for smooth motion and/or a wider aperture for a shallow depth of field when shooting in bright settings. You can select 0, 2, 4, or 6 stops of density by turning a dial, meaning you never have to fuss with a screw-on lens filters. But the Ursa has a hardware edge, with 15 stops of advertised dynamic range compared to the Canon’s 13, higher frame rates, and a more versatile RAW format.Īlthough not new, a key feature of the Ursa - and many dedicated video cameras - is the built-in neutral density filter control. That can make cameras like Canon’s C200, at $6,500 with viewfinder and battery included, more affordable. A viewfinder, battery, and handle are all add-ons that can add hundreds or thousands to the price. The result is not only a pro-level video camera that puts my aging-but-trusty Fujifilm X-T2 to shame, but the best value in the cinema world, period.īlackmagic hits a low price by selling you a bare-bones camera. The G2 refines the formula with small but important improvements to the electronics, without changing what already worked. After a few years of striking and bizarre designs, Blackmagic landed on a familiar shape that straddles the gap between cinema camera and ENG camcorder. ![]() The original Ursa Mini Pro 4.6K was Blackmagic’s first camera that felt finished. Yet here, with the Ursa, it feels like a bargain. But as someone who shoots video on a hybrid mirrorless camera, I can see the value in moving up to the Ursa. I’m not sure what makes a Red or Arri, the cameras of choice in Hollywood, worth tens of thousands more. At a fiver under $6,000, I won’t be buying one anytime soon, but it’s a heck of a lot more affordable than similar cinema cameras from other manufacturers. ![]() From a technical standpoint, anyway.ĭespite my techno-lust, the Ursa remains out of my league - and yet, not outlandishly beyond my budget. But once you’ve settled on your favorite, there’s nothing else in the way of living out your directorial dreams. You have to first decide which record button to press - there are, like, four of them. Well, OK, it takes a little more work than that. #Blackmagic ursa mini pro how toIf you know how to use a DSLR, you can figure out the Ursa in minutes. Turn it on, point it at something, press record, and out comes a shot ready for the big screen. ![]()
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